• Posted October 19th, 2010 at 10:29 EDT by Adam Dolge
• 12 Comments

In a genre inhabited by the biggest guns in all of modern gaming, it seems there is little room for a redundant and uninspired first-person shooter. There’s just too little breathing room with franchises like Call of Duty, Crisis and Halo wreaking havoc on the competition. But what happens when a beloved series is brought back to life, twisting from an old war setting to a relatively recent conflict that still presses heavily on the world? The answer is EA’s Medal of Honor, a game divided on so many levels, perhaps none so prevalent as the two developers who split the single-player campaign and the multiplayer component.

It’s admittedly taken us a while to write this review, partially because we are torn with the end result, but also because we find it hard to classify the game’s significance. Yes, Medal of Honor is a first-person shooter; it’s just a game. But on the other hand, anyone who served in the armed forces, or knows someone who has (which is likely for anyone reading this review), probably has a story or two about how the war has affected their lives. For instance, this reviewer graduated pre 9/11, and while many friends left for college, a handful went into the military because they didn’t know what else to do. Fast forward a couple years after tossing our mortarboards in the high school auditorium, and these friends found themselves in the mountains of Afghanistan, and later the deserts of Iraq. They all came home safely, but they only talk about the experience with their closest friends.  

 

With the Afghanistan setting so prominently portrayed, it’s hard to avoid any feelings about the war, now in its 10th year. Medal of Honor games typically tell a great story and the single-player campaigns guide players through emotional and realistic battles. Gone is the World War II setting, this time replaced with the Afghanistan War, following the elite members of the Tier 1 Operator. The story of Medal of Honor is fairly basic. You are put in the boots of a few different soldiers (primarily playing as a Tier 1 Operator), and are tasked with pursuing the Taliban. The game makes attempts at politically unsettling themes, but never truly brings players into the controversy surrounding the Afghanistan war, or war in general. Many gamers will not find fault in this; after all, we play games for fun. But to some degree, not following up on the clear political or moral dilemma of our time feels like a missed opportunity.

Controversy or personal feelings aside, Medal of Honor does a decent job of capturing wartime combat. The action is varied. At some points you’ll play as a Ranger, mowing down what seems like endless combatants, and at other times you are quietly sneaking around a Taliban stronghold, firing just a few rounds of ammo to eliminate your enemies. Danger Close Studio does a great job of driving the narrative forward through some basic cut scenes, and typical action moments we’ve come to expect from FPS games (see the end of the first level and the slow-motion pistol shot). These moments are tired and we wish Danger Close put a bit more effort into the unique setting.

On the other hand, there are moments of sheer brilliance. About midway through the game, you are held-up with fellow Rangers in stone house, firing at waves after waves of enemies. As your base radios that a pickup is not possible, dramatic music ensues, and the waves of enemies only grow. By the time the battle is over, the stone house is left in rubble and you witness a friendly airstrike through the dust and smoke. These moments are not common practice in the decidedly short campaign, but when you take part in these emotional and epic battles, you feel extremely engaged.  

It’s easy to jump into Medal of Honor, whether you are a veteran gamer in the FPS scene or a newcomer to the genre. The game is highly accessible, the controls are intuitive and simple with onscreen prompts frequently telling you what to do, and you rarely run out of ammo–simply hit square near an ally to get more shells. You can lean in and out of cover, a relatively ... (continued on next page)